Split the lark
There’s a TV show called Dickinson, about the American poet Emily Dickinson. It’s modernized and witty and wild, and pretty surreal at times (which I love), clearly borrowing tricks from what Moulin Rouge did so well back in the day. Dickinson also has its problems, and it won’t be for everyone, but there was this one scene that gave me an experience I can’t stop thinking about. And my dilemma is this: part of the experience was my surprise, which you won’t get if you read this before watching it. But I’ll go ahead anyway, and let you decide for yourself, so: brief spoilers ahead, especially for season two, episode six. A little context: Emily Dickinson was probably, very probably, queer. The show is certainly based on that theory, focusing on her romantic relationship with Sue, a childhood friend who marries Emily’s brother (both in real life and in the show). In this particular episode, Emily and Sue’s relationship has been strained for a while. Emily has also been connecting with a man, someone who …